Jaime Clarke is a graduate of the University of Arizona and holds an MFA from Bennington College. He is the author of the novels:

--We’re So Famous, (the first and worst review + actor Malcolm McDowell's hilarious reaction to review + praise for + original American cover + British cover + galley cover for 15th anniversary reissue)

--Vernon Downs, (praise for + book trailer narrated by Academy Award-winning actor Chris Cooper + alternate trailer + original cover),

--World Gone Water, (praise for + book trailer narrated by Thora Birch + original cover)

--Garden Lakes, (praise for + book trailer narrated by the author + original cover)

and the memoirs:

-- Poor Man’s Gatsby (praise for) published as Bookmarked: The Great Gatsby by F. Scott Fitzgerald, in IG Publishing’s Bookmarked series

--Typical of the Times: Growing Up in the Culture of Spectacle, which is the basis for his microcast, Typical (Anthony Michael Hall promo), available on Apple, Spotify, iHeartRadio,  and elsewhere.

His Charlie Martens trilogy–Vernon Downs, World Gone Water, and Garden Lakes–is published in an omnibus by Roundabout Press to celebrate the story collection Minor Characters, (ToC), featuring original stories about the minor characters in the trilogy by Mona Awad, Christopher Boucher, Kenneth Calhoun, Nina de Gramont, Ben Greenman, Annie Hartnett, Owen King, Neil LaBute, J. Robert Lennon, Lauren Mechling, Shelly Oria, Stacey Richter, Joseph Salvatore, Andrea Seigel, and Daniel Torday. The collection features a foreword by Jonathan Lethem, and an introduction by Laura van den Berg.

Clarke is also the editor of The Last Novel Ever Published, as well as the anthologies Don’t You Forget About Me: Contemporary Writers on the Films of John Hughes, and Talk Show: On the Couch with Contemporary Writers; and co-editor of the anthologies No Near Exit: Writers Select Their Favorite Work from Post Road Magazine (with Mary Cotton), (ToC) and Boston Noir 2: The Classics (with Dennis Lehane and Mary Cotton).His apprentice work is collected as The Last Lemonade Stand on the Block, and his unpublished novel is called Scavengers.

Under the pseudonym J.D. West, he is the author of the Golden Age detective novel, The Disappearance of Swenson’s Secretary: A Harold Ober Mystery. (Harold Ober with his wife and Scottie Fitzgerald)

He is a founding editor of the literary magazine Post Road, now published at Boston College, and co-owner, with his wife, of Newtonville Books, an independent bookstore in Boston. (Newtonville Books’s 20th anniversary video) (Anniversary video by Mona Awad and Kenneth Calhoun) (Newtonville Books video: “Where do you hold your events?”)

Correspondence – Amy Hempel

2000

Bloomsbury – Correspondence with Robert Bookman at Creative Artists Agency re the film rights to We’re So Famous

2000

Bloomsbury – edited manuscript for We’re So Famous; incl May 1, 2000 letter from Panio Gianopolous.

2000

Bloomsbury – Hartford Courant piece entitled “What’s to Love: Writers Pick Their Favorites” featuring We’re So Famous recommendation by Frederick Barthelme

2000

Correspondence – Askold Melnyczuk

2000
2000

Correspondence – Maria Flook

2000

Correspondence – Bob Shacochis

2000

Bloomsbury – Correspondence with Joel Gotler at Artists Management Group re the film rights to We’re So Famous

2000

Bloomsbury – Correspondence with Brian Lipson at Endeavor LA re the film rights to We’re So Famous

2000

Correspondence – Mary Robison

2000

Correspondence – Charles Bock

2000

Shout Magazine – November 2000 issue featuring Part Two of serialization of “Cheshires” by JDC. (Collected in The Last Lemonade Stand on the Block: Stories by JDC.)

2000

Shout Magazine – October 2000 issue featuring Part One of serialization of “Cheshires” by JDC. (Collected in The Last Lemonade Stand on the Block: Stories by JDC.)

2000
2000
2000
2000

Correspondence with Jordan Heller at Shout Magazine; includes contracts for articles and copies of receipts for payment.

2000

Correspondence – Karen Braziller at Persea Books

2000
2000

Correspondence – Bret Easton Ellis

2000
2000

Galleys from Xlibris for self-published novel A Complete Gentleman. (Published in 2015 as World Gone Water.)

2000
2000
2000
2000
2000
2000
2000
2000
2000
2000
2000
2000
2000

Post Road Magazine – Email to editors re form wording for soliciting work and recommendations

2000

Bloomsbury – We’re So Famous – Correspondence re college reading tour with Fuzzy

2000
2000

Post Road Magazine – Correspondence relating to the production of Post Road 1, including corr with editors about the collection of material

2000

Letter from Bettina Schrewe Literary Scouting agency about Bret Easton Ellis oral biography

2000

Post Road Magazine – Correspondence re the release parties for Post Road 1: Fri, Step 15 at Dibrova Social Club in NYC and Sat, Sept 16 at The Joshua Tree in Boston; incl press release about the parties

2000

Post Road Magazine – Correspondence re Post Road website

2000

Post Road Magazine – Correspondence re instituting a slush pile

2000

Post Road Magazine – Correspondence re advertising in Post Road, incl corr with other literary magazines about swapping ads

2000
2000

Post Road Magazine – Correspondence re the Potpourri section, renamed the Etcetera Section with JDC as editor

2000

Post Road Magazine – Correspondence re not having book reviews in Post Road

2000

Post Road Magazine – Correspondence re how to collect material from editors

2000
2000

Post Road Magazine – Email asking editors to come to the print shop to help assemble Post Road 1

2000
2000
2000

Post Road Magazine contract template

2000
2000

Post Road Magazine – Correspondence re a policy against publishing friends, Benningtonites, etc.

2000
2000
2000
2000
2000

Correspondence – Jamie Clarke; incl CD for band Perfect

2001
2001
2001

Drawing of JDC from Hollywood Wax Museum

2001
2001

Correspondence – Knox Burger

2001
2001
2001
2001

Postcard from Harold Ober Associates acknowledging receipt of Scavengers

2001
2001
2001
2001

Bret Easton Ellis blurb for We're So Famous: “Jaime Clarke pulls off a sympathetic act of sustained male imagination: entering the minds of innocent teenage girls dreaming of fame. A glibly surreal world where the only thing wanted is notoriety and all you really desire leads to celebrity and where stardom is the only point of reference. What’s new about this novel is how unconsciously casual the characters’ drives are. This lust is as natural to them as being American-it’s almost a birthright.”

2001

Jonathan Ames blurb for We're So Famous: “Darkly and pinkly comic, this is the story of a trio of teenage American girls and their pursuit of the three big Ms of American life: Music, Movies and Murder. An impressive debut by a talented young novelist.”

2001

Bob Shacochis blurb for We're So Famous: “Jaime Clarke is a masterful illusionist; in his deft hands, emptiness seems full, teenage pathos appears sassy and charming. We’re So Famous is a blithe, highly entertaining indictment of the permanent state of adolescence that trademarks our culture, a made-for-TV world where innocence is hardly a virtue, ambition barely a value system.”

2001
2001
2001
2001

Bloomsbury – Village Voice listing for We’re So Famous reading at Astor Place Barnes & Noble, April 11, 2001.

2001
2001
2001
2001
2001
2001

Bloomsbury – Nzoom.com review of We’re So Famous

2001
2001
2001

Bloomsbury – Postcard from Mary Robison re We’re So Famous

2001

Bloomsbury – Brophy College Preparatory alumni magazine, August 2001, includes announcement of We’re So Famous royalty donation to Literary Volunteers of Maricopa County.

2001

Bloomsbury – Letter from Amy Hempel re We’re So Famous

2001

Bloomsbury – Brophy College Preparatory alumni magazine, January 2001, includes announcement of publication of We’re So Famous.

2001
2001
2001
2001

Bloomsbury – Kirkus review of We’re So Famous

2001

Bloomsbury – Correspondence with Leslie Epstein re Publishers Weekly and We’re So Famous

2001
2001

Bloomsbury – New York Times Book Review capsule review of We’re So Famous

2001

Bloomsbury – Publishers Weekly review of We’re So Famous

2001
2001
1996

Manuscript – Bennington – Sections for novel version of A Complete Gentleman.  Annotated by Amy Hempel.

1996

Manuscript – Bennington – January 1996 residency workshop – “This Way Is Over.”  (Rewrite of “Monthly Payments.”) Short story.  Typed, pgs 1-17.  Annotated by Amy Hempel.

1996

Manuscript – Bennington – “Renters.”  Short story. Typed, pgs 1-18. Annotated by Amy Hempel. (Collected in The Last Lemonade Stand on the Block: Stories by JDC.)

1996
1996
1996
1996
1996
1996

Manuscript – Bennington – “My Literary Apprenticeship.” Essay. Typed, pgs 1-20. Annotated by Amy Hempel.

1996

JDC Annotation – Bennington – “Jesus’ Son by Denis Johnson.”

1996

JDC Annotation – Bennington – “Elect Mr. Robinson for a Better World by Donald Antrim.”

1996

JDC Annotation – Bennington – “Music for Chameleons by Truman Capote.”

1996

JDC Annotation – Bennington – “Typical by Padgett Powell.”

1996

JDC Annotation – Bennington – “The Ice at the Bottom of the World by Mark Richard.”

1996

JDC Annotation – Bennington – “An Amateur’s Guide to Night by Mary Robison.”

1996

JDC Annotation – Bennington – On Sharon Olds’s poetry.

1996

JDC Annotation – Bennington – “Orbit from The Spectacle of the Body by Noy Holland.”

1996

JDC Annotation – Bennington – On Steps by Jerzy Kosinski, Speedboat by Renata Adler, and Sleepless Nights by Elizabeth Hardwick.

1996

JDC Annotation – Bennington – “Ray by Barry Hannah.”

1996

JDC Annotation – Bennington – “Wittgenstein’s Mistress by David Markson.”

1996

JDC Annotation – Bennington – “My Hard Bargain by Walter Kirn.”

1996

Manuscript – June 1996 Workshop.  “Renters.”  Short story. Typed, pgs 1-15. Annotated by Betsy Cox. (Collected in The Last Lemonade Stand on the Block: Stories by JDC.)

1996

Manuscript – June 1996 Workshop.  “Renters.”  Short story.  Typed, pgs 1-15.  Annotated by Maria Flook. (Collected in The Last Lemonade Stand on the Block: Stories by JDC.)

1996
1996

Manuscript – Bennington – “Signaling.”  (Rewrite of “Renters.”) Short story.  Typed, pgs 1-16. Annotated by Betsy Cox. (Collected in The Last Lemonade Stand on the Block: Stories by JDC.)

1996
1996
1996
1996

JDC Annotation – Bennington – “The Things They Carried by Tim O’Brien.”

1996

JDC Annotation – Bennington – “Stardust, 7-Eleven, Route 57, A&W, And So Forth by Patricia Lear.”

1996

JDC Annotation – Bennington – “Ellen Foster by Kaye Gibbons.”

1996
1996

JDC Annotation – Bennington – “Lolita by Vladimir Nabokov.”

1996

JDC Annotation – Bennington – “Into the Great Wide Open by Kevin Canty.”

1996

Manuscript – Bennington – “Lights, Camera, Darkness.” (Later titles: “Screen Test” + “This, Too Stars You”) Short story. Typed, pgs 1-13. (Collected in The Last Lemonade Stand on the Block: Stories by JDC.)

1996

JDC Annotation – Bennington – “The Letters of F. Scott Fitzgerald, edited by Andrew Turnball.”

1996
1996

Manuscript – Bennington –  “Ex-Urbana.” Short story. Typed, pgs 1-17. Annotated by Betsy Cox. (Collected in The Last Lemonade Stand on the Block: Stories by JDC.)

1996

JDC Annotation – Bennington – “Rock Springs by Richard Ford.”

1996
1996

Manuscript – Bennington – “What You’ll Find When the Tide Comes In.”  Short story. Typed, pgs 1-21. Annotated by Betsy Cox. (Collected in The Last Lemonade Stand on the Block: Stories by JDC.)

1996

Manuscript – Bennington – “We’re So Famous.”  Short story.  Typed, pgs 1-7. Annotated by Betsy Cox. (Collected in The Last Lemonade Stand on the Block: Stories by JDC.)

1996

October 24, 1996 contract with the Mississippi Review for the publication of “We’re So Famous”

1996

JDC Annotation – Bennington – “Morvern Callar by Alan Warner.”

1996
1996
1996

October 31, 1996 letter from the Mississippi Review with page proofs for “We’re So Famous”

1996

Interview with Bret Easton Ellis, edited by JDC.

1996

Manuscript – Bennington – JDC Graduate Lecture. w/letter from Bret Easton Ellis.

1996

Bennington – Final thesis (Standard Deviation) review by Betsy Cox

1996

Interview with Bret Easton Ellis, edited by BEE.

1996

Bennington – Final thesis (Standard Deviation) second review by Bob Shacochis

1996
1996
1996

Manuscript – Bennington – JDC Graduate Lecture. Annotated by Amy Hempel.

1996

Interview with Bret Easton Ellis, conducted in NYC in November 1996. Two microcassette tapes and transcript of interview.

1996
1996
1997
1997
1997
1997
1997

Correspondence – Amy Hempel

1997
1997

Correspondence – Douglas Bauer

1997

Correspondence – Maria Flook

1997

Correspondence – Frederick Barthelme

1997
1997
1997
1997

Correspondence – Charles Bock

1997
1997

Manuscript – Bennington – Final version of JDC graduate lecture. Typed, pgs 1-16.

1997

Correspondence – Pete Hausler (+)

1997
1997

Proposed table of contents for A Complete Gentleman (Published in 2015 as World Gone Water.)

1997

Manuscript – A Complete Gentleman. Novel.  First draft.  Typed, pgs 1-136.  Annotated by Bret Easton Ellis. (Published in 2015 as World Gone Water.)

1997

Manuscript – A Complete Gentleman.  Novel.  Second draft.  Typed, pgs 1-126.  Annotated by Bret Easton Ellis. (Published in 2015 as World Gone Water.)

1997
1997

Grave rubbings from road trip to Rockville, MD with Heather Fisher to visit graves of Scott and Zelda Fitzgerald (1) (2) (3)

1997

Manuscript – A Complete Gentleman.  Novel.  Final draft.  Typed, pgs 1-175.  Annotated by JDC. (Published in 2015 as World Gone Water.)

1997

Manuscript – undated draft of A Complete Gentleman.  Novel. (Published in 2015 as World Gone Water.)

1997
1997
1997

Jan: 4236 N. 103rd Ave., #7, Phoenix, AZ

1997
1997
1997

Sept: Astoria, Queens

1997
1997
1997
1997
1998

Correspondence – Rick Moody

1998
1998
1998
1998

Correspondence – Douglas Bauer

1998

Correspondence – Charles Bock

1998

Correspondence – Maria Flook

1998
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O What Fun We'll Have! O the Times!
The Ambitions and Adventures of
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