Jaime Clarke is a graduate of the University of Arizona and holds an MFA from Bennington College. He is the author of the novels:

--We’re So Famous, (the first and worst review + actor Malcolm McDowell's hilarious reaction to review + praise for + original American cover + British cover + galley cover for 15th anniversary reissue)

--Vernon Downs, (praise for + book trailer narrated by Academy Award-winning actor Chris Cooper + alternate trailer + original cover),

--World Gone Water, (praise for + book trailer narrated by Thora Birch + original cover)

--Garden Lakes, (praise for + book trailer narrated by the author + original cover)

and the memoirs:

-- Poor Man’s Gatsby (praise for) published as Bookmarked: The Great Gatsby by F. Scott Fitzgerald, in IG Publishing’s Bookmarked series

--Typical of the Times: Growing Up in the Culture of Spectacle, which is the basis for his microcast, Typical (Anthony Michael Hall promo), available on Apple, Spotify, iHeartRadio,  and elsewhere.

His Charlie Martens trilogy–Vernon Downs, World Gone Water, and Garden Lakes–is published in an omnibus by Roundabout Press to celebrate the story collection Minor Characters, (ToC), featuring original stories about the minor characters in the trilogy by Mona Awad, Christopher Boucher, Kenneth Calhoun, Nina de Gramont, Ben Greenman, Annie Hartnett, Owen King, Neil LaBute, J. Robert Lennon, Lauren Mechling, Shelly Oria, Stacey Richter, Joseph Salvatore, Andrea Seigel, and Daniel Torday. The collection features a foreword by Jonathan Lethem, and an introduction by Laura van den Berg.

Clarke is also the editor of The Last Novel Ever Published, as well as the anthologies Don’t You Forget About Me: Contemporary Writers on the Films of John Hughes, and Talk Show: On the Couch with Contemporary Writers; and co-editor of the anthologies No Near Exit: Writers Select Their Favorite Work from Post Road Magazine (with Mary Cotton), (ToC) and Boston Noir 2: The Classics (with Dennis Lehane and Mary Cotton).His apprentice work is collected as The Last Lemonade Stand on the Block, and his unpublished novel is called Scavengers.

Under the pseudonym J.D. West, he is the author of the Golden Age detective novel, The Disappearance of Swenson’s Secretary: A Harold Ober Mystery. (Harold Ober with his wife and Scottie Fitzgerald)

He is a founding editor of the literary magazine Post Road, now published at Boston College, and co-owner, with his wife, of Newtonville Books, an independent bookstore in Boston. (Newtonville Books’s 20th anniversary video) (Anniversary video by Mona Awad and Kenneth Calhoun) (Newtonville Books video: “Where do you hold your events?”)

2008
2008

Blind (EP) by John Laprade (+)

2008
2008
2008
2008
2008
2008
2008
2008
2008
2008
2008
2008
2008
2008
2008

Post Road Magazine – Correspondence re Post Road writing contests judged by Heidi Julavits (fiction) and Wes McNair (poetry)

2008

Post Road Magazine – The Review Review review of Post Road 16

2008
2008

Post Road Magazine – Letter from Lesley University officially declining to renew agreement to publish Post Road

2008

Post Road Magazine – Correspondence from Ron McLarty re Post Road

2008

Post Road Magazine – JDC email to Andre Balazs re Post Road becoming the house magazine at the Chateau Marmont

2008

Post Road MagazineBoston Globe article entitled “Literati have a nip with their authors” featuring Post Road mention

2008
2008
2008
2008

Post Road Magazine – JDC email to editors re signing agreement with Boston College

2008

Post Road Magazine – Signed copies of Post Road/Boston College agreement

2008

Post Road Magazine – Correspondence re Post Road/Boston College merger

2008

Post Road Magazine – Flyers for Boston College Arts Festival Apr 23-25, featuring Post Road mention

2008

Post Road Magazine – Draft copies of Post Road/Boston College agreement

2008

Post Road Magazine – Signed Unanimous Consent of directors re Mary Cotton’s resignation from Post Road Board, dated May 1

2008

Post Road Magazine – email to editors re first meeting with Ricco Siasoco, Post Road’s new managing editor at Boston College

2008

Post Road Magazine – Email from JDC to editors re uncertain future after Post Road 16

2008

Post Road Magazine – Email exchange with Diane Williams re Harper’s Magazine reprinting her piece “My First Real Home”; incl Jan 2009 issue of Harper’s featuring reprint.

2008

Post Road Magazine – Email from Post Road contributor Dora Malech re her poem “Face for Radio” being anthologized in the Yale Anthology of Younger American Poetry

2008

Post Road Magazine – Email exchange with John Parsley at Little, Brown re the idea of a Post Road anthology of work from the first sixteen issues

2008

Post Road Magazine – Email exchange with Debra Spark re her piece from Post Road 15 being listed as a Pushcart Prize Special Mention

2008
2008

Post Road Magazine – Letter from Dana Gioia, chairman of the National Endowment of the Arts re Post Road

2008
2009

Manuscript – Talk Show anthology

2009
2009
2009

Manuscript – Garden Lakes

2009

Correspondence – Talk Show at Fanzine.com

2009

Correspondence – re American Energies: Contemporary Writers and Their Achievements,Ambitions, and Aspirations, edited by JDC

2009

Manuscript – Vernon Downs

2009
2009
2009

Manuscript – Proposal for Afternoons at the Odeon (film anth) edited by JDC, featuring original essays by Dennis Lehane, Gregory Maguire, Julia Glass, Charles Bock, Moon Unit Zappa, Lev Grossman, Antonya Nelson, Sven Birkerts, Lydia Millet, J. Robert Lennon, Aimee Bender, David Ebershoff, Thomas Beller, Wesley Stace, Elisa Albert, Ben Nugent, Salvatore Scibona, Adrienne Miller, Owen King, Nathaniel Rich, Ryan Boudinot, Elizabeth Searle, Holly LeCraw, and Rebecca Wolff. with an introduction by Neil LaBute.

2009
2009
2009
2009

JDC complimentary membership to the Friends of the Library at Boston University

2009
2009

Program for Brattleboro Literary Festival, October 2-4, 2009

2009

Contract for panel appearance at Bennington College alum residency; including Benn event listing info and correspondence re panel with Sven Birkerts.

2009

Boston Book Festival Program Guide – October 24, 2009 (+)

2009
2009
2009

Tickets for Buffalo Tom at the Paradise Rock Club, June 26, 2009, with Tom Perrotta and Mary Granfield + Mary Cotton

2009

Program for New Yorker Festival, Oct 16-18, 2009; incl tix for Joshua Ferris and Aleksandar Hemon, Fri, Oct 16; James Franco in conversation with Lauren Collins, Sat, Oct 17; Inside the Artist’s Studio: Chuck Close, Sun, Oct 18.

2009

Correspondence – Vernon Downs

2009

Letter from Hannah Tinti re her reading at Newtonville Books for the paperback of The Good Thief

2009

Boston Globe “Shelf Life” column re the Celebrity Bookclub at Newtonville Books

2009

Correspondence – Talk Show anthology

2009

Boston Globe article by Margot Livesey titled “Following Boston’s Other Historical Trail” incl mention of Newtonville Books

2009

Boston Globe article titled “Unchained Success: Independent Bookstores Holding Up vs. Big Rivals” incl mention of Newtonville Books

2009

Post Road Magazine – JDC email to editors re sending the Post Road anthology out to editors; also about the first Post Road/Boston College Board meeting on May 22.

2009

Correspondence – University Press of Mississippi re Conversations with Jonathan Lethem

2009

Boston Globe article re the creation of the Celebrity Bookclub

2009

Post Road Magazine – JDC email to editors re PR booth at the first annual Boston Book Festival; incl article in Bay State Banner about the Boston Book Festival incl Post Road mention.

2009

Post Road Magazine – JDC email to editors re “Rara Avis: How to Tell a True Bird Story” by Jackson Connor and “Tiny Monuments: A Look at Snapshot Photography” by Hannah Lifson from Post Road 16 being selected as Honorable Mentions for the Best American Essays, ed by Mary Oliver

2009
2009

Post Road Magazine – Correspondence re Post Road transition to BC

2009

Post Road Magazine – Correspondence re Post Road anthology selections, Vol I

2009
2009

Post Road Magazine – JDC email to editors re “Monster” by Rebekah Frumkin being chosen for Best American Nonrequired Reading, edited by Dave Eggers; incl Nov 17 article entitled “Carleton student’s short story published in national anthology” by David Henke.

2009

Post Road Magazine – Correspondence re Post Road anthology selections, Vol II

2009

Post Road Magazine – Contract with Dzanc Books for Post Road anthology

2009

Post Road Magazine – Queries to publishers re the Post Road anthology

2009

Correspondence — Garden Lakes

2010

Correspondence — Conversations with Jonathan Lethem Vol I

2010

Correspondence — Conversations with Jonathan Lethem Vol II

2010

Correspondence — Post Road re Boston College transition

2010

Correspondence — Talk Show anthology

2010

Correspondence — No Near Exit: Writers Select Their Favorite Work from Post Road Magazine (Post Road anthology published by Dzanc Books)

2010

Manuscript — Conversations with Jonathan Lethem, ed by JDC; incl JDC editor questionnaire and permission form templates

2010

Contract dated September 30, 2009 between JDC and University Press of Mississippi for Conversations with Jonathan Lethem

2010

Correspondence — Vernon Downs

2010

Manuscript — No Near Exit: Writers Select Their Favorite Work from Post Road Magazine ed by JDC and Mary Cotton (ToC) with selections by Jim Shepard, Owen King, Charles Bock, Phillip Lopate, Richard Hoffman, Lydia Millet, Allison Amend, Stacey Richter, April Bernard, Lev Grossman, Elisa Albert, Tom Sleigh, Ed Park, Nathaniel Rich, Mark Strand, Karen Shepard, Amy Gerstler, Ann Hood, Edward Albee, Sloane Crosley, Yusef Komunyakaa, Joshua Furst, Roxana Robinson, Margot Livesey, Michael Dahlie, Daniel Wallace, Mary Jo Bang, Darin Strauss, Michael Ryan, Melissa Pritchard, Allison Lynn, David Means, Galt Niederhoffer, Maud Casey, and Will Allison

2010
2010

Manuscript — Garden Lakes

2010

Manuscript — American Kaleidoscope: A Memoir by JDC

2010

Winter 2009 Paris Review featuring Newtonville Books First Editions ad

2010
2010

Playbill for “American Idiot” at St. James Theatre in NYC; including tickets for May 27 performance; also, copy of ticket for May 28 performance of “Glee” at Radio City Music Hall.

2010
2010

Correspondence – Amy Hempel

2000

Bloomsbury – Correspondence with Robert Bookman at Creative Artists Agency re the film rights to We’re So Famous

2000

Bloomsbury – edited manuscript for We’re So Famous; incl May 1, 2000 letter from Panio Gianopolous.

2000

Bloomsbury – Hartford Courant piece entitled “What’s to Love: Writers Pick Their Favorites” featuring We’re So Famous recommendation by Frederick Barthelme

2000

Correspondence – Askold Melnyczuk

2000
2000

Correspondence – Maria Flook

2000

Correspondence – Bob Shacochis

2000

Bloomsbury – Correspondence with Joel Gotler at Artists Management Group re the film rights to We’re So Famous

2000

Bloomsbury – Correspondence with Brian Lipson at Endeavor LA re the film rights to We’re So Famous

2000

Correspondence – Mary Robison

2000

Correspondence – Charles Bock

2000

Shout Magazine – November 2000 issue featuring Part Two of serialization of “Cheshires” by JDC. (Collected in The Last Lemonade Stand on the Block: Stories by JDC.)

2000

Shout Magazine – October 2000 issue featuring Part One of serialization of “Cheshires” by JDC. (Collected in The Last Lemonade Stand on the Block: Stories by JDC.)

2000
2000
2000
2000

Correspondence with Jordan Heller at Shout Magazine; includes contracts for articles and copies of receipts for payment.

2000

Correspondence – Karen Braziller at Persea Books

2000
2000

Correspondence – Bret Easton Ellis

2000
2000

Galleys from Xlibris for self-published novel A Complete Gentleman. (Published in 2015 as World Gone Water.)

2000
2000
2000
2000
2000
2000
2000
2000
2000
2000
2000
2000
2000

Post Road Magazine – Email to editors re form wording for soliciting work and recommendations

2000

Bloomsbury – We’re So Famous – Correspondence re college reading tour with Fuzzy

2000
2000

Post Road Magazine – Correspondence relating to the production of Post Road 1, including corr with editors about the collection of material

2000

Letter from Bettina Schrewe Literary Scouting agency about Bret Easton Ellis oral biography

2000

Post Road Magazine – Correspondence re the release parties for Post Road 1: Fri, Step 15 at Dibrova Social Club in NYC and Sat, Sept 16 at The Joshua Tree in Boston; incl press release about the parties

2000

Post Road Magazine – Correspondence re Post Road website

2000

Post Road Magazine – Correspondence re instituting a slush pile

2000

Post Road Magazine – Correspondence re advertising in Post Road, incl corr with other literary magazines about swapping ads

2000
2000

Post Road Magazine – Correspondence re the Potpourri section, renamed the Etcetera Section with JDC as editor

2000

Post Road Magazine – Correspondence re not having book reviews in Post Road

2000

Post Road Magazine – Correspondence re how to collect material from editors

2000
2000

Post Road Magazine – Email asking editors to come to the print shop to help assemble Post Road 1

2000
2000
2000

Post Road Magazine contract template

2000
2000

Post Road Magazine – Correspondence re a policy against publishing friends, Benningtonites, etc.

2000
2000
2000
2000
2000

Correspondence – Jamie Clarke; incl CD for band Perfect

2001
2001
2001

Drawing of JDC from Hollywood Wax Museum

2001
2001

Correspondence – Knox Burger

2001
2001
2001
2001

Postcard from Harold Ober Associates acknowledging receipt of Scavengers

2001
2001
2001
2001

Bret Easton Ellis blurb for We're So Famous: “Jaime Clarke pulls off a sympathetic act of sustained male imagination: entering the minds of innocent teenage girls dreaming of fame. A glibly surreal world where the only thing wanted is notoriety and all you really desire leads to celebrity and where stardom is the only point of reference. What’s new about this novel is how unconsciously casual the characters’ drives are. This lust is as natural to them as being American-it’s almost a birthright.”

2001

Jonathan Ames blurb for We're So Famous: “Darkly and pinkly comic, this is the story of a trio of teenage American girls and their pursuit of the three big Ms of American life: Music, Movies and Murder. An impressive debut by a talented young novelist.”

2001

Bob Shacochis blurb for We're So Famous: “Jaime Clarke is a masterful illusionist; in his deft hands, emptiness seems full, teenage pathos appears sassy and charming. We’re So Famous is a blithe, highly entertaining indictment of the permanent state of adolescence that trademarks our culture, a made-for-TV world where innocence is hardly a virtue, ambition barely a value system.”

2001
2001
2001
2001

Bloomsbury – Village Voice listing for We’re So Famous reading at Astor Place Barnes & Noble, April 11, 2001.

2001
2001
2001
2001
2001
2001

Bloomsbury – Nzoom.com review of We’re So Famous

2001
2001
2001

Bloomsbury – Postcard from Mary Robison re We’re So Famous

2001

Bloomsbury – Brophy College Preparatory alumni magazine, August 2001, includes announcement of We’re So Famous royalty donation to Literary Volunteers of Maricopa County.

2001

Bloomsbury – Letter from Amy Hempel re We’re So Famous

2001

Bloomsbury – Brophy College Preparatory alumni magazine, January 2001, includes announcement of publication of We’re So Famous.

2001
2001
2001
2001

Bloomsbury – Kirkus review of We’re So Famous

2001

Bloomsbury – Correspondence with Leslie Epstein re Publishers Weekly and We’re So Famous

2001
2001

Bloomsbury – New York Times Book Review capsule review of We’re So Famous

2001

Bloomsbury – Publishers Weekly review of We’re So Famous

2001
2001
Loading all Entries...
Loading all Entries...
O What Fun We'll Have! O the Times!
The Ambitions and Adventures of
Jaime Clarke
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
Y
Z
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.